Abstraction

Abstract art is art that does not depict recognizable scenes or objects, but instead is made up of forms and colors that exist for their own expressive sake. Abstract art, regarded as the most characteristic form of 20th century art, is art that has abandoned the traditional European conception of art as the imitation of nature.

Even though the creation of an artwork may start from the artist's awareness of an object in the external world, the aesthetic creation is visually independent. The aesthetic premise is, formal qualities can be thought of as existing independently of subject matter. Three basic tendencies generally are depicted in these works: 1) the reduction of natural appearances to radically simplified forms, see Kimura prints in our collection; 2) the construction of works of art from non representational basic forms, often simple geometric shapes, see Bolotowsky and Maxwell; and 3) spontaneous, 'free' expression, as the action painting of Jackson Pollack and the Alechinsky prints in our collection.

Some art historians prefer alternative terms to the simple term abstraction, to describe these images. Non-objective, non figurative, and non representational is used to describe art not intended to realistically represent recognizable objects or figures. (Some scholars refer to these works simply by describing the type of shapes depicted such as hard edge and amorphous.) Objective abstract art is used to describe to works in which recognizable objects or figures appear, and are abstracted or changed from their natural forms. Many 'isms' or art movements have developed from these basic styles. Discussion of these movements is reserved for another time.

Our entire collection is not displayed. Contact us if you are looking for something not displayed at this time.

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Agam275T

Yaakov Agam. The Fusion Suite. Edition of 200. Serigraphs. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". Printed in New York, USA. The suite, displayed in this composite page, was acquired in 1978. These serigraphs are based on the concept of Agam's contrapuntal paintings, and are classical representations of Agam's life work. They demonstrate the concepts of the innovative critical language Agam's work brought to the art world, illustrating the changing nature of the universe, based on an appreciation and understanding of motion and harmony. A viewer, looking Agam's work from different angles, can identify any number of concurrent visual designs. Art is virtually created by the viewer's eye as it moves across the page. The concept is an art work's "constant becoming."

Each original serigraph image is signed and numbered in pencil. The serigraphs are printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality the feel of a light cardboard. The nature of the paper makes the prints suitable for floating or matting in a traditional frame, or box. The Fusion Suite is particularly interesting because it's combined major pieces (imagined superimposed on each other) aesthetically complete the visual aesthetic - an artwork simultaneously kinetic and static, the synthesis of Agam's kinetic theory. The three major pieces from this suite are displayed directly below: Agam173, Agam274, and the synthesis artwork, Agam275. Close-Up

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Agam273

Yaakov Agam. Solfage Fusion 131/200. Serigraph, from the Fusion suite. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". The serigraph was acquired in 1978 and is signed and numbered in pencil The ink surface is rich, and velvet like. There are no scratches. Serigraph is printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality and feel of a light cardboard. The nature of the paper makes the print suitable for floating or matting within a traditional frame or box. This piece, margins and art surface, is in pristine condition.

Note: This art image is an under section of the final fusion composition. When combined with its intermediate pair, Agam274 directly below, Agam's art of shifting images is visually synthesized, i.e., see below at Agam275. Close-Up

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Agam274

Yaakov Agam. Solfage Fusion 150/200. Serigraph, from the Fusion suite. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". The serigraph was acquired in 1978 and is signed and numbered in pencil The ink surface is rich, and velvet like. There are no scratches. Serigraph is printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality and feel of a light cardboard. The nature of the paper makes the print suitable for floating or matting within a traditional frame or box. This piece, margins and art surface, is in pristine condition.

Note: This art image is an under section of the final fusion composition. When combined with its intermediate pair, Agam273 directly above, Agam's art of shifting images is visually synthesized, i.e., see below at Agam275. Close-Up

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Agam275

Yaakov Agam. Synthesis: Solfage Fusion 98/200. Serigraph, from the Fusion suite. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". The serigraph was acquired in 1978 and is signed and numbered in pencil. The ink surface is rich, and velvet like. There are no scratches. Serigraph is printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality and feel of a light cardboard. The nature of the paper makes the print suitable for floating or matting within a traditional frame or box. The art image is the final fusion of two images from the suite, presented above (Agam272 and Agam274). The upper corner of the left margin has an almost indiscernible crease, about 1/2" in from the edge. Otherwise the artwork, margins and image surface, is in pristine condition.

Note: This work is a combination of the two suite images displayed directly above, Agam273 and Agam274. This synthesis piece combined with the two preceding images is a classic example of Agam's aesthetic of interlacing themes and shifting images. See the composite above. Close-Up

The three Fusion Suite serigraphs $6,500.

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Agam638

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

Yaakov Agam. Transformables. Poster. Serigraph. 40" x 20". This rare poster was acquired in 1976. It is a commemorative artwork which advertised the 1971 one man show at the renowned Denise Rene gallery in New York. The black and white image appears to tumble similarly to Agam's most well known works, which in their appearance of tumbling colors and shapes transform themselves, changing from one visual impression to another. Close-Up

$100.

See Ebgi, Israel. Representational Figurative Art.

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Alvar278

Alvar Sunol, Personages Il Fenestra. 44/150. Lithograph. Paper Size 29 1/2" x 20 1/2". The lithograph was acquired in 1976. The lithograph is signed and numbered in pencil. Color is rich and detail is complex in this classic handsome early artwork. The art, image and margins, is in pristine condition. Close-Up

$1,200.

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Albers276

Josef Albers, Homage to the Red Square: Mars au Avril. Poster, Serigraph. Image and Paper size is 36" x 26". The poster is from the collection of rare and original serigraphs from the renowned New York Denise Renee Gallery. The green square image with its partner image, represented in the poster shown below, Homage to the Green Square: Mars au Avril of the same year, are the best examples of Albers. These posters were shown in his 1968 as part of the New York gallery one person show. The rag paper on which the poster is created is heavy. The texture of the ink is clean and velvet like. The color is vibrant. This work is in pristine condition. Close-Up

Note: A limited variation of the reds in this image appear on your screen. The actual artwork is made up of 4 variations of red.

Sold

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Albers277

Josef Albers, Homage to the Green Square: Mars au Avril. Poster, Serigraph. Image and Paper size is 36" x 26". The poster is from the collection of rare and original serigraphs from the renowned New York Denise Renee Gallery. The green square image with its partner image, represented in the poster shown below, Homage to the Red Square: Mars au Avril of the same year, are the best examples of Albers. These posters were shown in his 1968 as part of the New York gallery one person show. The work is in mint condition. The rag paper on which the poster is created is heavy. The texture of the ink is clean and velvet like. The color is vibrant. This work is in pristine condition. Close-Up

$300.

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Alechinsky2

Pierre Alechinsky. Red Composition. from the Krach Portfolio. 70/99. Lithograph and Etching. The paper size is 22" x30". The etching was acquired in 1978. The art is signed and numbered in pencil. Under the lithograph Alechinsky glued a negotiable bank note. The artwork, margins and surface, is in pristine condition. Close-Up

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Alechinsky5

Pierre Alechinsky. Dark Green Composition. from the Krach Portfolio. 70/99. Lithograph and Etching. The paper size is 30" x 22". The etching was acquired in 1978. The art is signed and numbered in pencil. Under the lithograph Alechinsky glued a negotiable bank note. The artwork, margins and surface, is in pristine condition. Close-Up

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Alechinsky1

Pierre Alechinsky. Light Green. from the Krach Portfolio. 70/99. Lithograph and Etching. The paper size is 22" x30". The etching was acquired in 1978. The art is signed and numbered in pencil. Under the lithograph Alechinsky glued a negotiable bank note. The artwork, margins and surface, is in pristine condition. Close-Up

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Alechinsky614

(This piece is not show on our site at this time, but is available. Contact us if you would like to see it.)

Pierre Alechinsky. Artexpo 1979. Poster from an exhibition of Alechinsky's work at the International Art Exposition in Washington D.C. 1979. Offset Lithograph. The paper size is 17" x 14". The poster, margins and art surface, is in pristine condition. Close-Up

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Bolotowsky148

Ilya Bolotowsky, Black Diamond. 107/125. Serigraph. The paper size is 30" x 30". The serigraph was acquired in 1978. The work is signed and numbered in pencil. This work is a perfect example of Bolotowsky's use of black and grey with red and blue dilutes. The art, margins and image, is in pristine condition. Close-Up

Note: The addition number and signature are written along the vertical and horizontal corner of the piece, suggesting options of display, i.e., a diamond with the corner as the base, or traditionally as presented here.

$575.

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Bolotowsky149

Ilya Bolotowsky. Blue Tondo. 110/175. Serigraph. The paper size is 30" x 30". The serigraph was acquired in 1978. The work is signed and numbered in pencil. It is a clean, crisp, and exquisite example of Bolotowsky's work. The art, margins and image, is in pristine condition. Close-Up

$750.

See Agam, Israel. Abstract Non Objective Art.

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Calder279

Alexander Calder. L'Inquietude. E/A. Lithograph. The paper side is 24" x 40". The lithograph was acquired in 1978. The lithograph is signed and numbered in pencil. This work is a marvelous example of Calder's work. He has mastered the lithograph technique with classic Calder skill.

It is works like this late Calder that are classic treasures because they, like all his successes, are permeated with an unfailing sense of invention, perfect balance, and appropriate scale, which kept Calder's work extraordinarily fresh. The lithograph, full sheet and art surface, is in pristine condition. Close-Up

Note: The skewed paper shape is a result of photography. The actual paper is not skewed.

$3,200.

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Calder150T

Alexander Calder. The Flying Colors Collection. These six magnificent and original plate-signed lithographs by Alexander Calder form an exquisite portfolio. Calder conceived this suite from The Flying Colors mural painted in a DC8-62 jet, comissioned by Braniff Airlines and completed in October 1973. Each lithograph is authenticated with the embossed cachet of The Flying Colors Collection. Two original lithographs from the suite are displayed below. Close-Up

Contact us to see the entire suite.

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Calder151

Alexander Calder. Convection. Lithograph. The paper size is 23" x 30". This plate-signed lithograph pulled on 100% rag Arches paper and printed in Paris on the traditional flat bed press which has been used for over 100 years in this method of printing. The colors are strong and vibrant, and seem to have a velvet quality similar to silk screen. The lithograph was printed in 1974. This print is one from the Flying Colors Collection portfolio. A discussion about the portfolio is presented above at Calder150T. The lithograph is in pristine condition. Close-Up

$750.

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Calder153

Alexander Calder. Friendship. Lithograph. The paper size is 23" x 30". This plate-signed lithograph pulled on 100% rag Arches paper and printed in Paris on the traditional flat bed press which has been used for over 100 years in this method of printing. The colors are strong and vibrant, and seem to have a velvet quality similar to silk screen. The lithograph was printed in 1974. This print is one from the Flying Colors Collection portfolio. A discussion about the portfolio is presented above at Calder150T. The lithograph is in pristine condition. Close-Up

$750.

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Calder154

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

Alexander Calder. Sky Swirl. Lithograph. The paper size is 23" x 30". This plate-signed lithograph pulled on 100% rag Arches paper and printed in Paris on the traditional flat bed press which has been used for over 100 years in this method of printing. The colors are strong and vibrant, and seem to have a velvet quality similar to silk screen. The lithograph was printed in 1974. This print is one from the Flying Colors Collection portfolio. A discussion about the portfolio is presented above at Calder150T The lithograph is in pristine condition. Close-Up

$750.

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Calder667

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

Alexander Calder. Foundation Maeght 69. Poster. Lithograph. 25" x 20". This rare and marvelous original lithograph poster commemorated Calder's one man show at Fondation Maeght 1969. It displays a fabulous Calder stable in the center of the image. The color is vibrant and the surface is velvet-like. The lithograph poster is in excellent condition. Close-Up

$150.

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Chemaikin281

Mihail Chemaikin. 220/225. Lithograph. From the 1978 Carnival at St. Petersburg suite. The paper size is 30" x 22". The image size is 20" x 17 1/2". The lithograph was acquired in 1978. The suite was created in an edition of 225 on Arches paper and 75 on Japon paper. The lithograph is signed and numbered in pencil. The artwork, margins and art surface, is in pristine condition. Close-Up

$2,500.

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Corneille20

Cornelis Corneille. Figure from the 1975 Italian Suite. Lithograph. 42/100. The paper size is 20" x 28". The lithograph was acquired in 1977. The work is signed and numbered in pencil Color is vibrant crisp and clean. This work is a classic example of the artist's style, at the height of his career. The artwork, margins and art surface, is in excellent condition. Close-Up

$750.

See Alechinsky, CoBrA artist.

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Dali2003-4T

Salvador Dali. Homage to Homer suite. A USA edition of 350 and an International edition of 350. The paper size is 30" x 40". The two images in the suite are 29" x 21". The suite was acquired in 1977. The artworks are signed and numbered in pencil. This suite represents Dali's classic work from this prime period of his artistic career, both in terms of subject matter and artistic style. The printmaking is exquisite; the depth of color gives the art a subtle quality and a rich surface, simultaneously. The surface is velvet-like. The artworks, margins and art surface, are in pristine condition. Close-Up

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Dali2003

Salvador Dali. Helen of Troy from the Homage to Homer suite. 56/350. Lithograph. The paper size is 30" x 40". The image size is 29" x 21". The lithograph was acquired in 1977. The artwork is signed and numbered in pencil. This lithograph is a classic Dali image from this prime period of his artistic career, both in terms of subject matter and artistic style. The printing is exquisite. The depth of color allows a subtle quality and a rich surface to move across the page creating a visual quality like velvet. The artwork, margins and art surface, is in pristine condition. Close-Up

$4,200.


Contact us to see The Return of Ulysses from the Homage to Homer suite.

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Goodnough155

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

Robert Goodnough. Colors on White. 2/150 Serigraph. The paper size is 24 1/2" x 30". The serigraph is signed and numbered in pencil. For descriptive information please see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up

$1,200.

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Halsey307T

Brian Halsey. Two Suites. The art presented below is art from the Microcosm suite and the Mandals suite. Microcosms is a suite of six serigraphs printed in Rives 100% rag paper trimmed to 12 1/2" x 12 1/2". The suite was issued in five separate color states designated as portfolios A-E. Portfolio A consists of the first color state of each image, portfolio B consists of the second color state of each image, and so forth. Each portfolio was issued in an edition of 35. Mandalas is a suite of six serigraphs printed on Somerset 100% rag paper trimmed to 21 1/2" x 21" . The suite was issued in three separate color states, designated Portfolios A-C. Each portfolio was issued in an edition of seventy five each. Contact us to see available Microcosms and Mandalas images which are not shown on our site at this time. Close-Up

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Halsey310

Brian Halsey. Isotron 4th State from the Microcosms suite, color state D. 3/35. Serigraph. The paper size is 12" x 12". This image was acquired in 1980. The serigraph is signed and numbered in pencil. The color and surface of the ink is rich and beautiful. For other descriptive information see the paragraph above. The artwork, margins and art surface, is in pristine condition. Close-Up

$200.

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Halsey11

Brian Halsey. Nuclead 8th State from the Microcosms suite, color state D. 18/35. Serigraph. The paper size is 12" x 12". This image was acquired in 1980. The serigraph is signed and numbered in pencil. The color and surface of the ink is rich and beautiful. For other descriptive information see the paragraph above. The artwork, margins and art surface, is in pristine condition. Close-Up

$200.

Contact us to see other images from Microcosms and Mandalas.

Contact us to see individual Halsey images from other suites, of various sizes up to 30"x 40".

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Indiana329

Robert Indiana. Triangle #3 from the Polygon suite. 69/100. Serigraph. The paper size is 31" x 28". The art was acquired in 1979. Color is rich and the surface is unblemished. The serigraph is signed and numbered in pencil. For description and discussion of Robert Indiana's work see the paragraphs above. The artwork, margins and surface, is in pristine condition. Close-Up

$3,650.

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Indiana333

Robert Indiana. Love Banner. Serigraph. Poster. The paper size id 15" x 15". The art was acquired in 1979. Color is rich and the surface is unblemished. This piece was created as a banner for an 1969 Multiples show. For description and discussion of Robert Indiana's work see the paragraphs above. The artwork is in pristine condition. Close-Up

Sold

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Indiana62

Robert Indiana. Skid Row. 81/125. Serigraph. The paper size is 22" x 14". The art was acquired in 1979. Color is rich and the sharp. For description and discussion of Robert Indiana's work see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

$1,750.

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Indiana579

Robert Indiana. New York. Serigraph. Poster. The paper size is 43" x 33". The art was acquired in 1979. Color is rich and sharp. This piece was created for Indiana's on person show at the well known Denise Rene New York Gallery. For description and discussion of Robert Indiana's work see the paragraphs above. The artwork, is in pristine condition. Close-Up

$500.

Contact us to see other Indiana art that is available but not shown on our site at this time.

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Kimura72

Risaburo Kimura. Geneva, from the suite Great Cities of the World. 153/250. Lithograph and Serigraph. The print is made of twelve colors and is printed from four plates and eight screens. The paper size is 30" x 24". The artwork was acquired in 1978. The artwork is signed and numbered in pencil. For more information about the suite see the paragraph above. The artwork, margins and art surface, is in pristine condition. Close-Up

$1,250.

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Kimura82

Risaburo Kimura. Sydney, from the suite Great Cities of the World. 244/250. Lithograph and Serigraph. The print is made of twelve colors and is printed from four plates and eight screens. The paper size is 30" x 24". The artwork was acquired in 1978. The artwork is signed and numbered in pencil. For more information about the suite see the paragraph above. The artwork, margins and art surface, is in pristine condition. Close-Up

$1,400.

Contact us to see other images from the twenty piece Great Cities of the World suite.

See: Amarger: Great World Newspapers.

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LeBaDang344

Le Ba Dang. Blue Asian Landscape. 78/195 Lithograph. The paper size is 30" x 22". The medium was acquired in 1979. For discussion about the work see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

Note: The grey area in the margin is in the photograph of the artwork only. It is not in the actual art.

$1,200.

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LeBaDang92

Le Ba Dang. Green Composition with Sun, and Flower in Vase. 78/195 Lithograph. The paper size is 30" x 22". The medium was acquired in 1979. For discussion about the work see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

Note: The grey area in the margin is in the photograph of the artwork only. It is not in the actual art.

$1,200.

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LeBaDang345

Le Ba Dang. Green Evening Landscape with Boats. 78/195 Lithograph. The paper size is 30" x 22". The medium was acquired in 1979. For discussion about the work see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

Note: The grey area in the margin is in the photograph of the artwork only. It is not in the actual art.

$1,200.

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LeBaDang93

Le Ba Dang. Yellow Composition with Blue Flower. 78/195 Lithograph. The paper size is 30" x 22". The medium was acquired in 1979. For discussion about the work see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

Note: The grey area in the margin is in the photograph of the artwork only. It is not in the actual art.

$1,200.

See: Collection from Peoples Republic of China.

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Maxwell346T

Paul Maxwell. Multiples. This composite gives a visual perspective of Paul Maxwell's multiples. Please read the material about Maxwell's work to understand the technique used for this unusual art. Maxwell's multiples are very small editions, sometimes as small as 10. Close-Up

Contact us to see other works, similar to those in this composite.

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Maxwell452

Paul Maxwell. Wall Piece. 1/10. Acrylic Casting. The canvas size is 48" x 60". This unique casting was acquired in 1981. The art is signed and numbered in pencil. Except for a slight warping of the wood stretcher, which does not effect the look of the work or it's display, the artwork color, casting, and full airbrushed surface, is in pristine condition. Close-Up

$10,000.

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Maxwell96

Paul Maxwell. White Sphere with Yellow. 56/75. Acrylic Casting. The paper size is 22" x 30". This unique casting was acquired in 1981. The art is signed and numbered in pencil. This work is a casting on heavy paper. It will make a handsome presentation in an acrylic box or mounted in a contemporary frame with a fillet space separating it from the front glass. The artwork color, white on white and subtle yellow casting, and full airbrushed surface, is in pristine condition. Close-Up

$850.

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Maxwell346

Paul Maxwell. Blue/Green/White. 45/75. Acrylic Casting. The paper size is 23" x 22". This unique casting was acquired in 1981. The art is signed and numbered in pencil. This work is a casting on heavy paper. It will make a handsome presentation in an acrylic box or mounted in a contemporary frame with a fillet space separating it from the front glass. The artwork color, handsome blue, green, white, and subtle yellow casting, and full airbrushed surface, is in pristine condition. Close-Up

$1,000.


Contact us to see other available Maxwell's, not shown on our web site at this time.

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Powell001

Phillip Lloyd Powell: Philllip Lloyd Powel: 1905-1990. This Unique Table ca. 1956: Provenance: Purchased from Phillip Lloyd Powel by the original collector ca. 1957. Gifted by original collector to the current owner in 1980. Authenticated by Sukonik Fine Art Inc. Philadelphia 2010. Original construction and design, ca. 1957: Description: Walnut/ Unique/ Exquisite/ Butterfly Key/ Fissure/ and Natural Through Surfaces. Photographed by Sukonik Fine Art Inc., Philadelphia Pennsylvania USA. Location: Philadelphia Pennsylvania USA. Dimensions:15"H x 72"L x 17-18"W x 2"D. Condition: Excellent. Close-Up | Closer.

RAGO Auction 10/01/11

See See: Phillip Lloyd Powell, page to view more photographs of this Powell Table.

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Pandora001

Pandora & Pendragon: Snow Leopard Pendant and Brooch.Pandora & Pendragon: Snow Leopard Pendant and Brooch.(MOPN0003) Description: Crouching Leopard about to Leap from Sparkling Snowy White Cliff. 44.7 DWT; 18K Gold Pendant with Transparent Sheen of Guilloch Enamel set with a Rose Cut Diamond (0.57 CT) and Ruby (0.06 CW TW) Eyes on Sparkling Snowy White Druzy Quartz. The Pendant can be removed from the HandMade Chain to be worn as a Brooch. The Pendant is approximately 1.78" H x 1.95" W. The 18 K Hand Made Chain is 15" Long. The Pendant is delivered in a beautiful Presentation Box. Close-Up.

$15,000.

See: Pandora & Pendragon to see more images by this artist.

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Pond599

Clayton Pond. Bicentennial 1776-1976. Serigraph. Limited Edition Poster. The paper size is 40" x 28". This commemorative work was acquired in 1976. The artwork, art surface and texture, is in excellent condition. Close-Up

$350.


See Peter Max, American Artist.

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Sizelove41and 43

Steve Sizelove: Figure Study Goblets. Hand Blown Glass - Size of 43 is 15.75"H x 5.75"W x 5"D and Size of 44 is 21"H x 5.5"D x 5"D Close-Up

$1,800. Each

See: Steve Sizelove page to see more images by this artist.

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Ware001

Libby Ware: Serenity. Ceramic Wall Sculpture.Close-Up

POR.

See: Libby Ware page to see more images by this artist.

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Wine347T

WineArt: 1978-81

The posters illustrated in this composite and displayed below are replicas of the labels used on the wines they advertise. The posters were created as art posters in 1983. The works are original lithographs and their quality is excellent. The wine labels in our collection include: Chateau Montela, Frog's Leap, Jordan, Mt. Veeder, Panache, Pecota, Scramsberg, St. Clement, and Stag's Leap. Close-Up


Contact us to see any Wine Art lithograph poster displayed on this composite.

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Wine375

WineArt. Frog's Leap. Poster. Lithograph. The paper size is 30" x 22". Frog's Leap is a wonderful poster with rich color and gold raised margins around the image. This charming illustration advertises Sauvignon Blanc from the Napa Valley in California. The art poster is in pristine condition. Close-up

$300.

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Wine378

WineArt. Mount Veeder. Poster. Lithograph. The paper size is 30" x 22". This Mount Veeder Winery poster is handsome art. The decorative V is reminiscent of ornate complex interlace patterns used in 6th century biblical illustrations and illustrations of the Byzantine period, when some of the most beautiful books ever were made. In the 1500's early printed manuscripts were adorned with illustrative drawing such as on this poster. This poster art has gold ink around boarders and fine quality inked lithograph surface. The art poster is in pristine condition. Close-up

$400.

Contact us to see any Wine Art displayed on the composite photograph, above.

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Wolters142

Charles Wolters. T-185A. 39/100. Lithograph. The paper size is 38" x 29". The work was acquired in 1984. The lithograph is signed and numbered in pencil. This work is wonderfully reminiscent of Clifford Still. The surface of the lithograph is rich in texture and the art has a unique mystical in quality. The paper has a lovely deckled edge that did not photograph for the web site display. The art, margins and surface, is in pristine condition. Close-Up

$850.

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Wolters144

Charles Wolters. T-186A. 49/100. Lithograph. The paper size is 38" x 29". The work was acquired in 1984. The lithograph is signed and numbered in pencil. This work is wonderfully reminiscent of Clifford Still. The surface of the lithograph is rich in texture and the art has a reminiscent of Clifford Still. The surface of the lithograph is rich in texture and the art has a unique mystical in quality. The paper has a lovely deckled edge that did not photograph for web site display. The art, margins and surface, is in pristine condition. Close-Up

$850.

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Wolters145

Charles Wolters. T-187A. 32/100. Lithograph. The paper size is 38" x 29". The work was acquired in 1984. The lithograph is signed and numbered in pencil. This work is wonderfully reminiscent of Clifford Still. The surface of the lithograph is rich in texture and the art has a unique mystical in quality. The paper has a lovely deckled edge that did not photograph for the web site display. The art, margins and surface, is in pristine condition. Close-Up

Sold

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Youngquist001

Betsy Youngquist, USA. Fishy Whale. Bead Sculpture 16" x 11"x 7". Close-Up | Closer

$6,800.

See: Betsy Youngquist page to see more images by this artist.






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